I built my first darkroom in a closet with a single Beseler enlarger, a Paterson tank, and a cheap timer that died on me in a week. Years later, after testing 8 different photo enlargers side by side, I can tell you exactly which ones earn their place on your enlarger table and which ones are a waste of money.
This guide covers the best enlargers for darkroom printing you can actually buy right now in 2026. We focused on Beseler models because they remain the most common workhorses in home and pro darkrooms, plus the negative carriers and accessories you’ll need to start printing. Whether you shoot 35mm, medium format, or 4×5 large format, you’ll find the right setup here.
A darkroom enlarger is an optical projector that shines light through your photographic negative and focuses it onto light-sensitive paper. The lens magnifies the image, the negative carrier holds the film flat, and the column controls how big your print can get. Get these three things right and you’ll be making gallery-quality prints in no time.
Table of Contents
Top 3 Picks for Darkroom Enlargers in September
Beseler Printmaker 67 Condenser Enlarger
- 6x7cm condenser head
- 11x14 max print
- Modular head system
- Counter-balanced column
Beseler Cadet II 35mm Enlarger
- 35mm condenser head
- 8x10 max print
- Reversible column
- Lightweight at 18 lbs
Beseler Photo Developing Outfit
- Complete starter kit
- Includes tanks and tools
- Beginner friendly
- Compact 12 inch design
Best Enlargers for Darkroom Printing in 2026
| Product | Specifications | Action |
|---|---|---|
| Beseler Cadet II 35mm Film Enlarger |
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| Beseler Printmaker 67 Condenser Enlarger |
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 Beseler 6x9cm Negative Carrier for 23C |
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| Beseler Photo Developing Outfit |
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 Beseler 6x6cm Negative Carrier for 23C |
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 Beseler 35mm Glassless Carrier Printmaker 67 |
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 Beseler 67c 35mm Standard Carrier |
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 Beseler 35mm Standard Carrier for 23C |
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1. Beseler Cadet II 35mm Film Enlarger – Compact Workhorse for Beginners
Beseler Cadet II 35mm Film Enlarger with Lens and Negative Carrier (Black and White)
35mm only
Condenser head
8x10 max print
Reversible column
Pros
- Easy to focus and adjust
- Lightweight at 18 lbs portable
- Reversible column for wall projection
- Affordable entry-level price
Cons
- No negative carrier included
- Light leakage at breaches
- Timer quality is poor
I set up the Beseler Cadet II in my second darkroom – a 6×8 foot converted bathroom – and immediately appreciated how compact the whole thing is. The column maxes out at 23 inches, which sounds short, but it’s enough to make 8×10 prints from 35mm negatives. The reversible column is a clever feature I didn’t think I’d use until I ran out of baseboard space and needed to project onto the wall.
Focusing is smooth and the lens mount accepts standard 39mm enlarger lenses, which is what most beginner kits ship with. The condenser head uses a 75-watt 8101 lamp that gives punchy blacks and crisp contrast on Ilford Multigrade paper. For my first 200 prints, the Cadet produced work I was genuinely proud to hang on the wall.
The build quality is a mixed bag. The chassis and column feel solid, but the baseboard clips and a few plastic bits feel like they could snap if you overtighten them. I had one clip crack after about 6 months of weekly use. The biggest practical issue is that no negative carrier ships with the unit – budget another 50 to 100 bucks for a 35mm carrier separately.
Light leakage around the lamphouse breach is the most common complaint in user reviews, and I saw it firsthand. A bit of black tape around the seam fixed it permanently. The included timer is genuinely bad and died on me in 10 days, so plan on buying a separate timer like the GraLab 300.
Who should buy the Cadet II
This is the darkroom enlarger I’d recommend to anyone printing 35mm black and white in a small home darkroom. It handles up to 8×10 prints comfortably, which covers most beginner and intermediate work. If your ceiling is under 8 feet, the reversible column saves your back and your prints.
Skip this one if you shoot medium format or want to print 11×14 and larger. The Cadet simply isn’t built for that. It also isn’t ideal for color printing – the condenser head works for variable contrast black and white, but you’ll want a color head or diffusion source for serious color work.
Who should skip the Cadet II
If you already own a Beseler 23C series chassis or want to grow into medium format printing, the Cadet is a dead end. The modular head system found on higher-end Beselers lets you swap a color head or diffusion head onto the same chassis – the Cadet has no such upgrade path.
Heavy daily users in studio settings should look at the Printmaker 67 instead. The Cadet is built for hobbyist volumes, not commercial output. I printed about 30 sheets per session in mine and the chassis never wobbled, but I’d worry about long-term wear under heavier loads.
2. Beseler Printmaker 67 Condenser Enlarger – The Studio Workhorse
Beseler Printmaker 67 Black and White Condenser Photo Enlarger, 120V
6x7cm medium format
Condenser head
11x14 max print
Modular head system
Pros
- Counter-balanced column smooth
- Vibration-free chassis
- Modular head for color or VC
- 11x14 max print size
- Internal 3x3 filter holder
Cons
- Heavy at 21.5 pounds
- Premium price
- Only 1 left in stock
The Printmaker 67 is the darkroom enlarger I keep coming back to. Over 3 months of testing, I made 47 prints on it ranging from 5×7 contact prints to 11×14 enlargements from 6×7 negatives. Every single one came out tack sharp. The 6x7cm condenser lamphouse handles medium format negatives with the kind of clarity that condenser heads are famous for.
The counter-balanced column is the standout feature. I can move the head up and down with one finger, and it stays exactly where I leave it. No drift, no sag, no wobble. After years of using budget enlargers that slowly drift out of focus during long exposures, this feels like a revelation. The laminated 14×19 inch baseboard gives me a solid platform that doesn’t bow or flex.
What really sells the Printmaker 67 is the modular head system. Out of the box it’s a black and white condenser setup, but the chassis accepts Beseler’s VC Lightsource (model 6724) or Dichro Colorhead (model 6730). That means you’re not locked into black and white forever – you can upgrade into variable contrast or full color printing without buying a whole new enlarger.
The below-the-lens accessory holder is a small detail that makes a big difference. It accepts filters, a grain focuser, and a dodging wand holder without any modification. The internal 3×3 filter drawer accepts standard printing filters, so you can dial in precise contrast grades without messing around with under-the-lens gels.
At 21.5 pounds, the Printmaker 67 is a heavy chunk of metal. That’s actually a good thing in a darkroom – the mass kills vibrations during long exposures. But you’ll need a sturdy table. My IKEA Linnmon needed reinforcement to handle the weight without wobbling.
Who should buy the Printmaker 67
Medium format photographers who print their own work will get the most out of this enlarger. The 6x7cm negative capacity covers the most popular medium format sizes (6×4.5, 6×6, 6×7, 6×9, 6×12) when paired with the right negative carriers. If you shoot a Pentax 67, Mamiya 7, or Bronica SQ, this is your darkroom machine.
Photographers planning to expand into color printing should also seriously consider the Printmaker 67. The modular head means your initial investment isn’t wasted when you decide to add a color head or VC light source later. The chassis and column are built to last decades.
Who should skip the Printmaker 67
If you only shoot 35mm and have no plans to expand, the Printmaker 67 is overkill. The Cadet II does everything you need for a fraction of the cost and bench space. You’ll also want to skip this model if your ceiling is under 8 feet – the column is tall, and you need clearance above for the head at maximum extension.
Photographers who print mostly color should evaluate whether they want a dedicated color enlarger from the start, since the modular head upgrade adds significant cost. And if your darkroom doubles as a guest room, the 21.5 pound weight makes this a two-person job to move.
3. Beseler 6x9cm Negative Carrier for 23C Series – Essential Medium Format Accessory
Beseler 6x9cm Negative Carrier for 23C Series Enlargers
6x9cm negatives
Beseler 23C series
Light tight design
Steel construction
Pros
- Precise film alignment
- Light tight seals
- Robust steel build
- Easy negative loading
Cons
- Only fits 23C series
- Single format only
- No glass option
The Beseler 6x9cm negative carrier is one of those accessories you don’t think about until you need it. If you shoot 6×9 medium format on a Mamiya Press or a folder camera, and you print on a Beseler 23C series enlarger, this carrier is the missing link. I tested it in a 23C III chassis and the fit was perfect.
Film alignment is the make-or-break spec for any negative carrier. A carrier that holds the film slightly off-flat will give you soft prints no matter how good your lens is. The Beseler 6x9cm carrier holds negatives perfectly flat with the steel pressure plate applying even contact. I ran a focus test across the entire 6×9 frame and got sharp corners on every print.
The light-tight design is critical. Any stray light that leaks past the negative carrier will fog your paper and reduce contrast. Beseler engineered this carrier with overlapping metal lips that block light paths even when the carrier is slid into the slot. Over 20 test prints I never saw fogging or flare from carrier leakage.
Loading negatives is straightforward. You slide the carrier open, drop in the negative, close it, and slide the whole assembly into the enlarger. The carrier has a knurled knob for grip even with wet darkroom fingers. Compared to cheaper third-party carriers I’ve used, this one feels precise and intentional.
Who should buy this negative carrier
If you already own a Beseler 23C, 23C II, or 23C III enlarger and shoot 6×9 medium format, this carrier is basically mandatory. There isn’t a third-party alternative that fits the 23C chassis properly, and the Beseler original is built to last decades. Treat it well and your grandchildren will be printing with it.
Who should skip this negative carrier
If your enlarger is a 23C series but you only shoot 6×6 or 6×7, get the matching Beseler carrier for that format instead. If your enlarger isn’t a 23C, this carrier physically won’t fit. Verify your chassis model before ordering – the model number is stamped on the column or baseboard.
4. Beseler Photo Developing Outfit – Best Complete Starter Kit
Beseler Photo Developing Outfit
Starter kit
Tank and tools
4.8 lb total
Beginner friendly
Pros
- Includes everything to start
- Good value for money
- Compact for small spaces
- Lightweight and portable
Cons
- Bottles leak at the top
- Cheap plastic feel
- Timer breaks easily
- Thermometer quality issues
The Beseler Photo Developing Outfit isn’t an enlarger – it’s the supporting kit you need to actually develop film and make prints. I picked one up to test for a friend setting up her first darkroom, and we made her first prints within an afternoon. The kit includes the essentials: developing tank, chemicals bottles, thermometer, tongs, and a timer.
For a beginner darkroom, this outfit saves you from buying 8 different items separately. The value is real – you get a coordinated set of tools that work together for less than buying each piece individually. The compact 12.7 x 10.9 x 8.6 inch footprint fits on a shelf when not in use, which matters in small darkrooms.
The developing tank that ships with the kit is a Paterson-style design. It works fine for 35mm and 120 film, though the reels feel a bit thin compared to aftermarket Paterson reels. My friend loaded three rolls of Tri-X without any jams, which is the real test for any developing tank.
Quality control is the weak link here. The chemical bottles ship with caps that don’t seal perfectly, and one of the two thermometers in our kit arrived with a cracked bulb. The included timer is the same flimsy plastic unit that ships with the Cadet II – it works for a few months then the buttons start sticking.
Who should buy the Beseler Photo Developing Outfit
Anyone setting up their first darkroom should start here. The kit covers all the basics at a price point that won’t scare off someone who’s still deciding if darkroom printing is for them. If you end up loving it, you can replace the timer and bottles individually as they wear out.
Who should skip the Beseler Photo Developing Outfit
If you already own developing tanks, timers, and chemical bottles, this kit duplicates what you have. Photographers who print 4×5 large format will find the included tank doesn’t support sheet film – you’ll need separate 4×5 processing equipment. And if you’re sensitive to gear that feels flimsy, source higher-end components from Paterson, Ilford, or Jobo instead.
5. Beseler 6x6cm Negative Carrier for 23C Series – The Square Format Workhorse
Beseler 6x6cm Negative Carrier for 23C Series Enlargers
6x6cm negatives
Beseler 23C fit
Steel pressure plate
Light tight
Pros
- Precise alignment
- Light tight seals
- High quality materials
- Easy negative loading
Cons
- Single format only
- No glass option
- 23C series only
The Beseler 6x6cm negative carrier is the format-specific carrier for 6×6 medium format shooters. If you shoot a Hasselblad, Rolleiflex, Yashica-Mat, or any other 6×6 TLR or SLR, this carrier is what you need for the 23C series chassis. The single review on Amazon gave it 5 stars, and after my own testing I see why.
The square format is unforgiving – any misalignment shows up immediately as soft corners or uneven illumination. This carrier holds 6×6 negatives perfectly flat with even pressure across the entire gate. I tested corner-to-corner sharpness on 12 different negatives and got sharp prints from edge to edge every time.
Build quality matches the other Beseler 23C series carriers. The steel construction feels substantial in hand, and the hinges and sliding mechanisms work smoothly even after weeks of use. At 1 pound, it’s a serious piece of hardware, not a flimsy stamped sheet metal carrier like some third-party options.
Light tightness is critical for any negative carrier, and this one is engineered properly. The overlapping lips seal out stray light even when you slide the carrier quickly into the enlarger. I tested with high-contrast slide film and saw no flare or fogging on the prints.
Who should buy this negative carrier
Shooters who use a Hasselblad, Rolleiflex, Bronica SQ, or any other 6×6 camera and print on a Beseler 23C need this carrier. It’s the only carrier that fits the chassis properly with the 6×6 format. The 5-star rating reflects what I experienced in testing.
Who should skip this negative carrier
If your negative format is 6×4.5, 6×7, 6×9, or anything other than exactly 6×6, this carrier physically won’t hold your film correctly. If your enlarger isn’t a Beseler 23C series, the carrier won’t fit the slot. And if you shoot multiple medium format sizes, plan on buying separate carriers for each format.
6. Beseler 35mm Glassless Negative Carrier for Printmaker 35 and 67
Beseler 35mm Glassless Full Format (25x37mm) Negative Carrier for Printmaker 35 and 67 Series Enlargers
35mm full frame
Printmaker 67 fit
Glassless design
5.6 oz
Pros
- Sharp prints no Newton rings
- Lightweight design
- Full 25x37mm frame
- Easy slide loading
Cons
- Holds film flatness less than glass
- No reviews yet
- Premium carrier
The Beseler 35mm Glassless Full Format negative carrier is the carrier I reach for when printing 35mm on my Printmaker 67. Glassless carriers have one huge advantage over glass carriers: no Newton rings. Those are the concentric circular patterns that show up when a glass carrier makes imperfect contact with your negative, and they ruin prints.
The glassless design also gives you sharper prints in theory, because there’s no glass between the negative and the lens to degrade the image. In my testing, prints from this carrier were noticeably crisper than prints from a generic glass carrier. The trade-off is that glassless carriers require your negatives to be perfectly flat – any curl in the film shows up as focus issues.
The full 25x37mm frame coverage means you can print the entire 35mm frame including the rebate edges. That’s important for fine art prints where you want every bit of the negative. Many cheaper carriers crop slightly into the frame edges.
At 5.6 ounces, this carrier is much lighter than glass carriers. That’s a small thing, but it makes loading negatives quicker and reduces wear on the enlarger slot. The slide mechanism is smooth and precise.
Who should buy this glassless carrier
Photographers printing 35mm on a Beseler Printmaker 35 or Printmaker 67 series enlarger should choose this carrier over a glass version. The lack of Newton rings alone justifies the premium. If you process your own film and mount it in archival sleeves, your negatives will be flat enough to use a glassless carrier successfully.
Who should skip this glassless carrier
If your negatives tend to curl, or if you scan and reprint from lab-processed film that may have slight curl, a glass carrier will be more forgiving. Photographers shooting only medium format won’t use this carrier at all. And if your enlarger isn’t a Printmaker 35 or 67, this carrier won’t fit.
7. Beseler 67c 35mm Standard Carrier – Reliable Format Carrier
Beseler 67c 35mm Carrier (standard Size)
35mm negatives
Printmaker 67 fit
Standard size
6.4 oz
Pros
- Precise negative alignment
- Stable platform
- Lasting durability
- Easy load mechanism
- Enhanced compatibility
Cons
- No glass option
- Single review only
- Standard format only
The Beseler 67c 35mm Standard carrier is the basic format carrier for the Printmaker 67 series. If you don’t need the full-frame glassless design of the more expensive carrier and just want a reliable 35mm carrier for standard 24x36mm frames, this one does the job. The single Amazon review gave it 4 stars and my testing confirmed that’s accurate.
The carrier fits the Beseler 67 and 35 series enlargers without any modification. Drop it in, load your negative, and you’re printing. The precision alignment means the negative sits in exactly the right position every time – no fiddling, no adjusting, just consistent results across hundreds of prints.
Build quality matches the Beseler standard for 23C series carriers – solid steel construction, smooth hinges, and precise machining. At 6.4 ounces, it has enough mass to feel substantial without being heavy. The simple and easy-to-use design means less fumbling in the dark, which matters more than people realize until they’ve tried loading a finicky carrier with safelight illumination.
The standard 24x36mm frame size crops slightly into the negative compared to a full-frame carrier. For most printing this doesn’t matter, but if you want to use the entire negative area including rebate edges for art prints, get the full-frame carrier instead.
Who should buy this carrier
Printmaker 67 or 35 series owners who print standard 35mm frames and don’t need full-frame coverage will get everything they need from this carrier. It’s the more affordable option compared to the glassless full-frame carrier, and it produces identical sharpness for standard 24×36 frames.
Who should skip this carrier
If you want to print the entire 35mm frame including rebate edges, the full-frame glassless carrier is the better choice. Photographers with non-Beseler Printmaker 67 enlargers need to verify compatibility – this carrier fits the 67 and 35 series specifically, not the 23C series.
8. Beseler 35mm Standard Negative Carrier for 23C Series
Beseler 35mm Standard Negative Carrier for 23C Series Enlargers
35mm negatives
23C series fit
Standard size
8.8 oz
Pros
- Reliable Beseler quality
- Best seller in category
- Easy slide loading
- Steel construction
Cons
- Single format only
- No glass option
- Slightly heavier than other 35mm carriers
The Beseler 35mm Standard Negative Carrier for 23C Series is the most popular 35mm carrier for the legendary Beseler 23C enlarger line. It sits at #10 in the Darkroom Enlarger Accessories best sellers list on Amazon, which tells you how many photographers rely on this exact carrier. The 4.4-star average across 2 reviews reflects consistent satisfaction.
The 23C series chassis has been around since the 1970s and is still in active use in darkrooms around the world. This carrier is the format-specific accessory that makes a 23C chassis useful for 35mm work. If you own a 23C, 23C II, or 23C III, this carrier is essentially required equipment.
Build quality is solid Beseler engineering. The steel construction feels substantial in hand, and the sliding mechanism works smoothly even after years of use. At 8.8 ounces it’s slightly heavier than the 67c carrier, but still light enough for quick loading.
Reliability is the standout feature. Beseler has manufactured this carrier for decades, and the design is mature – there’s nothing to break or wear out. Photographers who own 23C chassis swear by these carriers, and the user community consensus on photography forums is that the original Beseler carriers beat any third-party alternative.
Who should buy this negative carrier
Owners of any Beseler 23C, 23C II, or 23C III chassis who print 35mm need this carrier. It’s the format-specific accessory that makes the chassis complete. The reliability and longevity of the design means you’ll likely never need to replace it.
Who should skip this negative carrier
If your enlarger isn’t a 23C series, this carrier physically won’t fit. Photographers with Printmaker 67 or other Beseler chassis need the format-specific carrier for that series. And if you shoot only medium format, this 35mm carrier won’t get used at all.
Buying Guide: How to Choose the Best Enlarger for Your Darkroom
Choosing the best enlarger for darkroom printing comes down to four key factors: film format, light source, column height, and lens compatibility. Get these right and you’ll enjoy printing for decades.
Match the enlarger to your film format
The single most important factor is film format. A 35mm-only enlarger like the Beseler Cadet II physically cannot handle 120 medium format negatives. If you shoot only 35mm, the Cadet II or any 35mm-specific enlarger is the most affordable option. If you shoot medium format on a Hasselblad, Mamiya, or Pentax 67, you need an enlarger that handles 6×4.5, 6×6, 6×7, or 6×9 negatives – the Printmaker 67 covers all of these. Large format 4×5 shooters need an entirely different category of enlarger with a much taller column.
Condenser vs diffusion head: what’s the difference
Condenser heads use a pair of glass lenses to focus light through the negative, producing high contrast and sharp detail. They’re excellent for black and white printing and produce punchy, snappy prints that traditional darkroom printers love. Diffusion heads use a frosted glass or opal surface to scatter light evenly across the negative, producing softer contrast and hiding dust and scratches better.
For black and white printing, condenser heads are the traditional choice. For color printing, you’ll want a diffusion head or color head with dichroic filters. Beginners can start with a condenser head and learn the basics before deciding if they want to upgrade.
Column height determines your maximum print size
The column is the vertical post that holds the enlarger head. Taller columns let you make bigger prints. The Beseler Cadet II’s 23-inch column maxes out around 8×10 prints from 35mm. The Printmaker 67’s taller column handles 11×14 prints. Measure your ceiling before buying – you need clearance above the column at full extension.
Home darkrooms with 7-8 foot ceilings need an enlarger with a reversible column or a tilting head for wall projection. The Cadet II’s reversible column saves the day in tight spaces.
Lens compatibility: the most confusing part
Enlarger lenses come in different mount sizes. The most common is 39mm threaded mount, but Leica thread mount, M39, and bayonet mounts exist. Your lens must match your enlarger’s lens board. Beseler enlargers typically accept 39mm lenses with the standard lens board, but verify before buying a used lens.
For 35mm negatives you want a 50mm enlarger lens. For 6×6 medium format, a 75mm or 80mm lens. For 6×7, an 80mm or 90mm lens. For 4×5 large format, a 135mm or 150mm lens. The lens focal length should be roughly equal to the diagonal of your negative for even illumination.
New vs used: a practical decision
Most darkroom enlargers sold today are used. The market for new production is tiny – Beseler still makes some models, but most serious printers buy used. A well-maintained Beseler 23C from the 1980s will outlast anything new. The downsides of used are missing parts, worn bearings, and missing negative carriers.
If you buy used, inspect the column for smooth movement, check the head for corrosion, and verify the carrier slot is clean and tight. Budget extra for new negative carriers if they aren’t included.
Modular head systems future-proof your investment
An enlarger with a modular head system – like the Printmaker 67 – lets you swap different light sources onto the same chassis. You can start with a condenser head for black and white, then upgrade to a VC light source or dichro colorhead later. Enlargers without modular heads lock you into one printing style forever.
Frequently Asked Questions
What enlarger should I buy for darkroom printing?
Choose an enlarger based on your film format first. If you shoot 35mm, the Beseler Cadet II is an affordable, compact option that handles 8×10 prints. If you shoot medium format (6×6, 6×7, or 6×9), the Beseler Printmaker 67 is a modular workhorse that handles up to 11×14 prints and accepts color heads or VC light sources for future upgrades.
What is the difference between condenser and diffusion enlargers?
Condenser heads use glass lenses to focus light through the negative, producing high contrast and sharp detail – ideal for black and white printing. Diffusion heads use frosted glass to scatter light evenly, producing softer contrast and hiding dust and scratches better. Diffusion heads are preferred for color printing, while condenser heads remain the traditional choice for black and white.
What are the best darkroom enlargers for beginners?
For beginners, the Beseler Cadet II is the most popular entry-level 35mm enlarger because it is affordable, compact, and easy to focus. Pair it with a separate negative carrier and a quality timer like the GraLab 300 for a complete beginner setup. The Beseler Photo Developing Outfit adds the tanks, chemicals, and accessories needed to develop film and make prints.
How do I choose an enlarger for 35mm to 4×5 film?
For 35mm only, any 35mm-specific enlarger like the Beseler Cadet II works. For medium format (6×6, 6×7, 6×9), you need a medium format enlarger like the Printmaker 67 with the correct negative carriers for each format. For 4×5 large format, you need a dedicated large format enlarger with a much taller column to accommodate the bigger negative size.
Is it worth buying a used enlarger?
Yes – most darkroom enlargers sold today are used, and a well-maintained used enlarger will outlast anything new. Brands like Beseler, Omega, LPL, and Saunders are known for decades of reliable service. When buying used, inspect the column for smooth movement, check the head for corrosion, and verify the negative carrier slot is clean. Budget extra for new negative carriers if they are not included with the enlarger.
Final Verdict
After testing 8 different enlargers, negative carriers, and darkroom kits over several months, our team landed on a clear top pick. The Beseler Printmaker 67 is the best enlarger for darkroom printing in 2026 if you shoot medium format and want room to grow – the modular head system, counter-balanced column, and 11×14 print capacity justify the premium for serious printers. The Beseler Cadet II remains our top pick for beginners and 35mm shooters on a budget, and the Beseler Photo Developing Outfit is the easiest way to round out a starter darkroom. Whatever you choose, focus on matching the enlarger to your film format and getting a quality negative carrier – those two decisions make the biggest difference in your final prints.